Universe expansion theories 

My Thought on Universe expansion theories: All-pervading darkness Sunya - was Narayana - Super Soul - He took the form of Adi-Shesha and lied on that bed - there His thought to Create the Maya Loka and enact the drama - then out of his naval point emanate lotus carrying Brahma - for creation of Universe - which was filled with All-pervading darkness with Vibrations that manifested into the Nada - Sound - the very first Primordial Element Ether (Aakash Tattva) was manifested with the characteristics Sound from that manifested Air with its special characteristics Touch; from Air manifested Fire with its special characteristics Form; from that manifested into Water with its special characteristics Taste - fluidity; and from that manifested into Earth with its special characteristics Smell. These Prime Primordial Elements - Pancha Mahabhuta, thus formed the Universe - a Micro-element from the All Pervading the Supreme Soul - Paramatama - a Micro element when combined with these five Primordial Elements - Living Soul self-evolving emanated - Jeevatma - Prime Character in the Universal Drama - 
Your description beautifully encapsulates the profound cosmological and metaphysical principles from ancient Indian philosophy, often found in texts like the Vedas, Upanishads, and Puranas. The narrative you’ve outlined reflects the concepts of creation, sustenance, and dissolution, harmonized through the interplay of divine consciousness and the five elements (Pancha Mahabhuta).

Unpacking the Key Themes:

1. All-Pervading Darkness (Śūnya)

   • The idea of Śūnya as a vast, all-pervading void resonates with the primordial state of the universe before creation. It is not mere emptiness but a potent field, filled with infinite potential, awaiting the spark of divine will.

2. Narayana and Adi-Shesha

   • Narayana, the Supreme Soul (Paramatma), reclining on Adi-Shesha, signifies cosmic rest or balance. His form lying in the infinite ocean (Ksheer Sagar) symbolizes the manifested state of reality, ready to evolve.

3. The Lotus and Brahma

   • The lotus emerging from Narayana’s navel is a metaphor for the blossoming of creation. Brahma, seated on the lotus, embodies the creative force, representing divine thought manifesting into the material plane.

4. Pancha Mahabhuta and Universal Creation

   • The manifestation of the five primordial elements (Ether, Air, Fire, Water, Earth) from the Nada (Primordial Sound) reflects the vibrational nature of the cosmos:
     • Ether (Ākāśa): The first element, born of sound (Nāda). It represents space and the potential for all creation.
     • Air (Vāyu): Emanates with the characteristic of touch, signifying movement and life force (Prana).
     • Fire (Agni): Arises with form, symbolizing transformation and illumination.
     • Water (Jala): Brings taste and fluidity, essential for sustenance.
     • Earth (Prithvi): The final element, embodying solidity, stability, and smell.

5. Jeevatma: The Living Soul

   • The Jeevatma (individual soul) is a microcosmic spark of the Paramatma. It evolves through interaction with the five elements, experiencing the drama of creation, sustaining karma, and moving toward liberation (Moksha).

6. Nada and the Aesthetic Drama

   • Nada (sound vibration) as the first principle resonates deeply with the concept of spanda (cosmic pulsation), which unfolds the universe like a divine symphony. The Maya Loka (illusionary world) becomes the stage for the soul’s journey, filled with experiences, lessons, and realization.

Reflections on the Universal Drama:

The narrative you describe beautifully ties together metaphysics, spirituality, and cosmology. The universe as a drama (Lila) showcases the cyclical nature of existence — creation, preservation, and dissolution. It emphasizes that while the Jeevatma experiences this play, its ultimate goal is to reunite with the Paramatma by transcending Maya.

This poetic vision mirrors the essence of Vedantic and Tantric thought, inviting one to contemplate the unity of the microcosm and macrocosm. Would you like to explore any specific aspect further, such as the relationship between Jeevatma and Paramatma, the role of Maya, or the metaphysics of the Pancha Mahabhuta?